What should people get from your films?
Films that are true to the world around you are stronger than films that are trying to prove something. Mine are more real. If you watch the take and there’s a fake moment, I’m like: “No. Cut. Do it again.” Then I wait till that moment could exist in reality. The story comes first. You need to do films that matter to you and to people who need the escape.
Tell us more about The Miseducation Of Cameron Post and what to expect...
It’s like a beautiful painting of people all knowing that they deserve an identity. Adam, the character I portray, was special because I don’t think this Native character has been portrayed in modern cinema. It’s mentioned he’s Native, but he goes beyond that. [He is] this little s**t – dry sense of humour – who’s hilarious and totally himself.
And the film won the Grand Jury Prize at Sundance!
It was incredible. The night came and we’re all waiting [to hear the result] and then my dad comes and he’s like: “This other film won the prize.” Thirty minutes go by, we’re all sad thinking it had lost, and then he says: “No, actually, Cameron Post won!” [He had misread the winner]. I was like: “What!?”
What’s up next?
I’m shooting Blood Quantum, directed by Jeff Barnaby. It’s a zombie film but the catch is that only Native American people are immune to the outbreak. It’ll be controversial, but I hope we get the right people angry!